Serapis Totally Explained

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ť For other usages, see Serapis (disambiguation)

Serapis (Latin spelling, or Sarapis in Greek) was a syncretic Hellenistic-Egyptian god in Antiquity. Under Ptolemy Soter, efforts were made to integrate Egyptian religion with that of their hellenic rulers. Ptolemy's policy was to find a deity that should win the reverence alike of both groups, despite the curses of the Egyptian priests against the gods of the previous foreign rulers (i.e Set who was lauded by the Hyksos). Alexander the Great had attempted to use Amun for this purpose, but he was more prominent in Upper Egypt, and not as popular with those in Lower Egypt, where the Greeks had stronger influence. The Greeks had little respect for animal-headed figures, and so a Greek-style anthromorphic statue was chosen as the idol, and proclaimed as the equivalent of the highly popular Apis. It was named Aser-hapi (for example Osiris-Apis), which became Serapis, and was said to be Osiris in full, rather than just his Ka (life force).

History

The earliest mention of a Serapis is in the disputed death scene of Alexander (C. 323 BC), from the royal diaries (Arrian, Anabasis, VII. 26). Here, Serapis has a temple at Babylon, and is of such importance that he alone is named as being consulted on behalf of the dying king. His presence in Babylon would radically alter perceptions of the mythologies of this era, though fortunately it has been discovered that the unconnected Babylonian god Ea (Enki) was titled Serapsi, meaning king of the deep, and it's possibly this Serapsi which is referred to in the diaries. The significance of this Serapsi in the hellenic psyche, due to its involvement in Alexander's death, may have also contributed to the choice of Osiris-Apis as the chief Ptolemaic god.
   According to Plutarch, Ptolemy stole the cult statue from Sinope, having been instructed in a dream by the unknown god, to bring the statue to Alexandria, where the statue was pronounced to be Serapis by two religious experts. One of the experts was of the Eumolpidae, the ancient family from whose members the hierophant of the Eleusinian Mysteries had been chosen since before history, and the other was the scholarly Egyptian priest Manetho, which gave weight to the judgement both for the Egyptians and the Greeks.
   Plutarch may not however be correct, as some Egyptologists allege that the Sinope in the tale is really the hill of Sinopeion, a name given to the site of the already existing Serapeum at Memphis. Also, according to Tacitus, Serapis (for example Apis explicitly identified as Osiris in full) had been the god of the village of Rhakotis, before it suddenly expanded into the great capital of Alexandria.
   The statue suitably depicted a figure resembling Hades or Pluto, both being kings of the Greek underworld, and was shown enthroned with the modius, a basket/grain-measure, on his head, since it was a Greek symbol for the land of the dead. He also held a sceptre in his hand indicating his rulership, with Cerberus, gatekeeper of the underworld, resting at his feet, and it also had what appeared to be a serpent at its base, fitting the Egyptian symbol of rulership, the uraeus.
   With his (for example Osiris') wife Isis, and their son (at this point in history) Horus (in the form of Harpocrates), Serapis won an important place in the Greek world, reaching Ancient Rome, with Anubis being identified as Cerberus. In Rome, Serapis was worshiped in the Iseum Campense, the sanctuary of the goddess Isis located in the Campus Martius and built during the Second Triumvirate. The Roman cults of Isis and Serapis gained in popularity late in the first century thanks to the god's role in the miracles that the imperial usurper Vespasian experienced in the city of Alexandria, where he stayed prior to his return to Rome as emperor in 70 AD. From the Flavian Dynasty on, Serapis sometimes appeared on imperial coinage with the reigning emperor. The great cult survived until 385, when early Christians destroyed the Serapeum of Alexandria, and subsequently the cult was forbidden by the Theodosian decree.
   A letter ascribed in the Augustan History to the Emperor Hadrian refers to the worship of Serapis by residents of Egypt who described themselves as Christians, and Christian worship by those claiming to worship Serapis, suggesting a great confusion of the cults and practices:

The land of Egypt, the praises of which you've been recounting to me, my dear Servianus, I've found to be wholly light-minded, unstable, and blown about by every breath of rumour. There those who worship Serapis are, in fact, Christians, and those who call themselves bishops of Christ are, in fact, devotees of Serapis. There is no chief of the Jewish synagogue, no Samaritan, no Christian presbyter, who isn't an astrologer, a soothsayer, or an anointer. Even the Patriarch himself, when he comes to Egypt, is forced by some to worship Serapis, by others to worship Christ. (Augustan History, Firmus et al. 8)

Gallery

Image:Serapis.JPG|Mouldmade lamp with a bust of Serapis, flanked by a crescent moon and star. Roman, made in Ephesus 100-150. Said to be from Egypt. British Museum Image:Serapis.jpg|Serapis Image:Kopf des Serapis.jpg|Hellenistic-Roman terracotta head of Serapis, iconographically close to Zeus (Staatliches Museum Ägyptischer Kunst, Munich) Image:Zeus Otricoli Pio-Clementino Inv257.jpg|Zeus of Otricoli Image:BegramSerapis.jpg|Statuette of Serapis from Begram, Afghanistan Further Information

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